Taisha - Donde Cruzan Los Brujos Abella Chouci. But an insurmountable barrier stood between the masses and the Chilean middle class few were able to reach this promised land where there existed the possibility of a dignified career. Other cases of the multiple protagonist will be pointed out later, but the Humberto Pe. Rome, nevertheless, fails to grant this signal recognition to the Azcoit. Such action would most certainly save the Casa, and at the same time it would seem appropriate for a family whose right to a giant's share of Chile's land and wealth is considered divine: “El reparti. Hanging over the Casa is the threat that Don Jer. The decrepit existence of the forty old women, whose interminable monologues and dialogues fill nearly two hundred pages, can be reduced to the musty packages containing their nondescript earthly possessions which each jealously guards beneath her bed. While it fails to offer dramatic linguistic innovations such as those seen in Julio Cort. La Rinconada has a complete staff of servants, administrators, workers, and a doctor, who themselves are all carefully selected monsters. Through various generations the Casa remained in the hands of the family's male heir while the Church enjoyed usufructuary rights to the institution. The origin of the Casa is lost in centuries of myth and folklore, but it was most certainly founded as a refuge by eighteenth century progenitors of the Azcoit. Action in the novel is fragmented so that the reader must constantly reconstruct the basic thread: a history in retrospect of the wealthy, landed Azcoit. The present study will limit itself to a consideration of the aforementioned dual aspects of exterior and interior reality which form the framework, as it were, of this innovative work. A new socio- economic system must replace the exterior reality of Chilean life just as the negation of the traditional protagonist points the way toward new novelistic forms. There is a double axis on which Donoso's concept of reality is based the novel moves simultaneously on an exterior and an interior plane, leading eventually to a negation of both levels of action. It is clearly within the current of the innovative Spanish American novel of today in its cataloguing of the decline of bourgeois systems and values and in its creation of a new realism based on multiple mutations of the author's (and the reader's) creative imagination. Chile's political system was turning to state socialism in search of solutions to age- old nagging social and economic injustices, a careful reading of Donoso's text reveals a deep concern for national problems and at the same time marks the author as a major practitioner of the “nueva narrativa” in contemporary Spanish American letters. Donoso (Donde van a morir los elefantes). En contraste con las exposiciones homoer.
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